Monday, 9 January 2017

Dhan ki Baat II



Queuing for Notes 

In his paper Psychology of Waiting Lines, Prof. David Maister of Harvard Business School listed a few propositions about queues. Some of these are:

-Occupied time feels shorter than unoccupied time;
-Anxiety makes waits seem longer;
-Uncertain waits are longer than known, finite waits;
-Unfair waits feel longer than equitable waits;
-Solo waits feel longer than group waits, etc. 
                                                
There were two kinds of people who queued up before banks, genuine persons who wished to exchange/deposit the banned currency notes. The second category consisted of what the Finance Minister termed as ‘currency mules’ who had come as surrogates with the holdings of people having black money. 

The cash crunch forced some parents – parents who conscientiously taught their children the habit of saving - to borrow from their young children, whose piggy banks are loaded with Rs. 5 and 10 coins, Rs. 10, 20, 50 and 100 notes given by stingy but loving aunts, uncles, grandparents and family-friends. And the children would be very reluctant to consider such loans.

Women – maids to memsahebs – have been traditionally stashing away a little something for emergencies, behind their husbands’ back. They pick up any loose change they see about and stuff them into their blouses or other opaque storage. These are stored in numerous purses, big and small, used and unused, in the folds of sarees, stacked in cupboards, almirrahs, inside books and magazines, in kitchen racks, under mattresses, in crevices and what-have-you – all inaccessible to menfolk, to meet emergency expenses. Stowing away cash is done by women all over the world. In fact, the Japanese have given it a name ‘hesokuri’ or ‘money hidden in the navel’. When a child asks for something and the father denies, the mother, in a stealthy manner, dips into such sources and gives the money. Married daughters get something from their doting dads. Each time they add to this loot, they sleep well. Now, with demonetization of Rs. 500 and 1000 notes, they were forced to reveal about this accumulated loot!

Printing of new notes is a very slow process. Many villagers across the country reverted to the good old barter system to tide over the cash crunch.
Replacement of banned notes with new notes -remonetization- has been a long and torturous process, affecting supply of new notes, particularly in rural and scarcely-banked areas. People started lining up before banks long before opening time – often placing their passbooks, representing them, in the long queues. This is the season for paddy-procurement. Farmers who sell their paddy to government-agencies, faced long delays in receiving payment. Often, they had to spend nights in the biting cold winter before banks, hoping to get the money next morning when the bank opened.

While many were strapped for cash, it was a bonanza for numismatists - people who collect notes and coins no longer in circulation. Samples of the withdrawn notes were added to their albums.

For bankers, demonetization meant work, work and more work for the next few days. It unfolded as an untold agony for a million bankers in the whole country. Banks and ATMs remained closed on November 9; when Branches were closed, bankers spent the whole day planning on how to manage the exchange and withdrawals, particularly keeping the temper in the face an angry crowd. A million bankers at 1.3 lakh bank branches were at work for more than 12 hours a day. Ms. Arundhati Bhattacharya, Chairman of S B I, in a message to the staff said, “People are feeling helpless and many times, that helplessness will manifest itself in unreasonable behavior. It is important for us to retain our equanimity, no matter what the provocation.” The Chief Justice of India, during a hearing on the matter, expressed the apprehension  that there would be riots. Fortunately due to the politeness and helpfulness of bankers, his apprehension did not happen. Bankers handled the situation with a belief that they were doing something meaningful for a societal transformation. Even retired bank staff helped branches in handling the situation. At least 40,000 truck drivers, custodians who fill ATMs with cash and security guards silently worked day and night with pride that they were helping the nation.

In Kolkata, there were reports that unemployed youth took up positions at the head of queues at banks and post offices early in the day and 'sold' these positions for Rs. 150 or 200 to the people who wanted to exchange or deposit banned notes.

Several persons died either while standing in queues or due to the inability to withdraw their money. A P Chief Minister arranged for supply of butter milk to people standing at banks and post offices in queues. Many people supplied water, biscuits and tea to people in queues. In Rajasthan a vegetable seller distributed vegetables free of cost to such people. In West Bengal, a councillor provided chairs to senior citizens in queue; Rabindra Sangeet was played for the people lining up.  Some students helped people to fill up the forms for exchanging old notes. Avdesh Gupta, a businessman at Moradabad deposited a total amount of Rs. 1.55 lakh in notes of Rs. 10, 50 and 100 in his bank which had run out of notes of lower denominations to give to people wishing to exchange or withdraw.   

In Kanpur, a woman who was in the queue at Punjab National Bank, went in to labour. When her labour pains grew unbearable, other women customers surrounded her and helped her to deliver the baby boy inside the bank. The baby was promptly named 'Khazanchi Nath'! Khazana in Hindi means treasure and treasury, where cash and other valuables are kept.   

One good result of demonetization was that banks have received huge deposits from people who have deposited the 500 and 1000 currency notes with them; this means that there has been a substantial rise in the lending capacity of banks. Another benefit is that online transactions have increased and India has progressed towards 'less-cash' economy. People who have tasted the convenience of cashless transactions, will limit their cash-transactions.

To be continued.....

Sunday, 8 January 2017

Dhan Ki Baat



‘Dhan ki Baat’ 

November 8, 2016 was just another day for the Chief Executives of banks in India when they were called for a meeting at 7 PM at RBI. Many of them thought that it was just another meeting called to discuss the eternal problem – bad loans. The meeting with a Deputy Governor meandered from the economy to loan-demand. One of the Chief Executives then asked if they could leave if there was nothing more to discuss; they were asked to wait. Suddenly they were told that the Prime Minister was on TV. They were startled to hear what he said: the Rs. 500 and 1000 notes were no longer legal tender!

P M Narendra Modi regularly addresses the nation over radio as his Man ki Baat. That evening, it was Dhan ki Baat (Talk about Money). In that address, telecast over T V at 8 P M, the Prime Minister announced that from midnight that night, the existing currency notes with denominations of Rs 1000 and Rs. 500 would cease to be legal tender; in their place notes with value of Rs. 2000 and new notes with value of Rs. 500 would be introduced. Thus, about 86.5% of the currency notes in circulation were withdrawn. Officially, this was called ‘Withdrawal of Specified Bank Notes’ (WSBN). The stated objectives were, curbing black money and corruption, stopping circulation of counterfeit currency notes, drying up of funds held by terrorists and Maoists and making India towards ‘less cash’ society, if not a cashless one.

As USA counted votes in its Presidential election, India started counting its notes! 

All cash transactions are not the result of corruption; all corrupt transactions are in cash. It is said that ‘black money’ came into existence due to a tax-regime which put the highest slab of Income Tax at 97%. Some say this slab is an offshoot of Nehruvian socialism. Some say that it originated during socialist policies of Indira Gandhi. When a person has to shell out 97% of his earning as Income Tax, it acts as a disincentive for enterpreneurs. It led to people concealing their actual income to evade tax. 

Reportedly, much before Narendra Modi took over as the Prime Minister in 2014, a Pune-based organization called Artha Kranti Pratisthan had, in 2013, suggested to him for demonetization of high value currency notes. It had also suggested abolition of Income Tax and 56 other taxes and replace these with a Banking Transaction Tax.  

One offshoot of demonetization was that the fund-strapped Municipal Corporations and other Govt. bodies received huge amounts in demonetized currencies as arrears of their dues. Temples across the country received huge anonymous donations on old currency.

To highlight the difficulties faced by the common man, Rahul Gandhi stood in a queue at S B I, Parliament Street, New Delhi to exchange old currency notes. Many thought that to rob him of any political mileage out of this, Narendra Modi’s aged mother came in a wheel chair, to a bank to exchange some old notes.  

Several Bank employees including those of Reserve Bank of India, have been charged with colluding with dishonest persons and making available to them huge amounts of cash in new currency.

Most transactions in India are in cash. Many shops in India display a sign: In God we trust – rest strictly in cash. Or, “Cash today; credit tomorrow.” This echoes Omar Khayyam’s advice, “Take the cash and let the Credit go.”  

Top 10 Cashless Countries in the world:

Country                     % of cashless transactions
Belgium                    93
France                       92
Canada                      90
U K                           89
Sweden                     89
Australia                   86
Netherlands              85
U S A                       80
Germany                  76
South Korea             70
India                         40

People needing medical emergencies or with forthcoming weddings are hit heard. This ‘surgical strike’ against black money did a lot of collateral damage. Small traders and businessmen who largely deal in cash, have seen their supply chain dry up and customers dwindling for want of liquidity.

Demonetization brought queues. When done right, a queue is the ultimately egalitarian thing. We do queues badly in India, with so many exemptions and workarounds. In societies of rank, queues are for the poor and powerless. Standing in a queue in India is considered ‘beneath dignity for big people in India. To be elite in India is to evade the queue, send someone else or pay a higher ‘çonvenience-fee’ to avoid the wait. Or it means barging in, right in front. So came touts, commissions etc. There is joke that an Englishman, even if alone, forms an orderly queue of one. 

This time, in the wee hours of November10, the new national festival of queuing started in India. As people rushed en masse to exchange/deposit their old money and withdraw the new variety, the basic constraint of geometric space dictated that to access the bank counter or A T M, one had to do so in a single file.  A columnist wrote how there is a good social mix in the lines at ourselves as a community. The demonetization might rally people, when they see each other massed together in a queue. People may enjoy seeing others having to wait – the PM’s message, “See, how I make powerful suffer with you.” certainly resonated. Many people are convinced that they had some discomfort for the national good. As another columnist hoped, after this, we shall continue to mind our ‘Ps and queues’.








To be continued....

Saturday, 31 December 2016

Happy New Year

Wishing you A Very Happy New Year!

And to all Indians, Happy NEW NOTES!






Friday, 23 December 2016

The Painter Prince

I chanced upon this enchanting video on the paintings of Raja Ravi Varma, in You Tube:




And an addendum:


Saturday, 26 November 2016

Flowers! Flowers!! Flowers!!!

Here is a feast for the eyes! (Source: You Tube)





And more!!





And more!!!




Some of these glorify my garden!!!!!!!!!!!!!!!!


Fast Forward!




Some of these flowers in my garden, have been included in my earlier posts.

Wednesday, 12 October 2016

Odissi Dance Guru Aruna Mohanty's Muses



On the 17th October, 2015, i attended a seminar organized by the central Sahitya Akademi, on ‘NĂ¡ri Chetna’ in which six eminent ladies who have earned name for their performance in the field of art like classical dance, vocal music, short story-writing, poetry etc. were invited to speak on their muses. One of my favourite Odissi danseuses, Guru Aruna Mohanty, was among them.

She started her talk with an explanation that as a performing artist, it was easier for her to ‘speak’ through her limbs like ‘mudras’, eye-movements, silent lip-movements, foot-work etc. but it was not as easy to speak by using the lips and tongue. However, she did speak wonderfully.

Her first muse was her mother. As a child, she had seen her mother worshipping, morning and evening, the basil (tulsi) plant on the chaura at the entrance to their house. The devotional and peaceful expression on her face was permanently etched in Aruna’s mind. So was the warmth of her pallu when Aruna as a child, used to snuggle close to her mother in evenings. She used to go for dance-class and whenever it was late in the evenings for her to return, her mother was there, waiting for her.  Aruna shared that this ingrained feeling about her mother in her mind expresses itself on her face when she portrays on stage, the role of mother Yashoda of Krishna.

Her second muse was an old lady who used to sell berries outside the gate of her school. One day, the old woman did not have the change to return when after buying some berries from her, Aruna gave her a currency-note. So she gave back the note asking Aruna to pay the next day. Aruna was a little reluctant to accept it back. “What if i don’t come tomorrow or day after tomorrow?”, Aruna put the question. To this, the old woman replied, “By looking at the eyes of a person, i know whether i can trust him/her.” Aruna recalls this expression on the old woman’s face, while portraying the role of Shabari in the tale of Rama. (I have written about this tale in my post 'Teen Deviyan' of Odissi Dance dated 17.09.2016.) 


There was an elderly man who used to put up a table near her house and iron the cloths of people in that locality. He had befriended her. Whenever she had a tired or grim face while returning from school, he used to ask, “What is the matter? Did you have a hard day at school today?” Or, “Did you not do well in the examination today?” One day, she had a fall and was limping. Seeing her in this condition, he carried her inside her house and handed her over to her mother. Aruna still remembers the expression of concern on this man’s face on such days and wears it on her face on suitable occasions on stage.

One of her friends had lost her seven-year old child and was heart-broken. This grief goaded her for long. Aruna met this friend after a couple of years. By that time she had regained her composure while Aruna still felt sad for her. This composure on her friend’s face inspired her to move on.
Guru Gangadhar Pradhan, who coached her the minute details and nuances of Odissi dance, has a lasting inspiration behind her achievements.

When she got married, she was afraid that her passion for dance might get curtailed by mundane matters and family-responsibilities. To her delight, her father-in-law told her on the first day that since dance was like breathing to her, she should never flinch from her first love. Equally supportive, are her husband and – later – her daughter. They show their confidence in her that like the bird who flies afar but never fails to return to her nest in the evening, she might give the full play to her career as a leading danseuse but would never forget to come back to them.  

Aruna added at the end that the greatest muses to her were the lyrists like Jayadeb who composed classics like Geet Govind which provide the backbone to her dance-numbers. She particularly mentioned the Odia poet the Late Mayadhar Mansingh whose lyrics she gives shape in dancing.
To me, her narrative seemed like a well-knit poem.

Recently, i chanced upon a video-recording of this programme in You Tube. Here it is: